Pentax busts out Hasselbladian 31.6 megapixel 645 Digital
Pentax has apparently tapped Kodak to provide its 31.6 megapixel KAF-31600 medium format CCD for the upcoming 645 Digital, which would seem to be the company's highest resolution digital camera to date. So far all that's known from the pre-PMA announcement is that the 645 will sport both SD and CF slots, and will ship with a specially-built 55mm lens that's also compatible with 645-series SLR film cameras. We should find out more about this behemoth in early March -- although possibly not pricing and release info -- but one thing we can say for sure is that if it's priced anything like the Hasselblad H3D-31 whose sensor it shares, expect to pay out well into five figures.
[Thanks, David N.]
[Thanks, David N.]



















Reader Comments (Page 1 of 1)
Zauberflote @ Nov 22nd 2008 4:11PM
Do not be concerned with comparing Hasselblad lens with Pentax as long as we talk about digital Hassie HD.
Hasselblad never made a lens in their history. The reputation (justified) of the Hasselblad V system was based on Carl Zeiss lenses (plus one Schneider). The stuff they sell with HD is ordinary mainstream mass production optics which can easily be over performed by Pentax lenses.
I hope to know what I am talking about, I have:
a 503 cx, 503cw, 553, and 953 and 9 prime Carl Zeiss lenses (Cfe, Cf, Cfi)
a 6X7, a 67, a 645II and six lenses
I love my Pentax, brought it to place were robbery would be commonplace, if somebody points a gun to me for a Pentax 67and a 55mm lens, I would be very, very sad but can buy another one, my zeiss 50mm cfi stays in the studio, if it went, I would be broke and not able buy another one, and when it comes to results, well tell me the difference!
Coming to the nondescript lenses of Hasselblad HD they are just overpriced commonplace Cagatora Optics of Taipei. (fantasy name).
GJP303 @ Feb 21st 2007 7:05PM
Why do you need 31 megapixels?
chych @ Feb 21st 2007 7:12PM
You, certainly don't. Studio work, especially blowing up images to really, really big (large poster size, etc) can benefit from more megapixels, with higher print resolution.
jptech @ Feb 21st 2007 9:20PM
hi-res boobies!
Hitchcock @ Feb 21st 2007 8:06PM
Higher megapixels are used for 2 things. Professional photography work, especially for billboards and building sized adverts. Also the higher the mega-pixels, the more detail you get.
It lets you be "lazy" with the photographs, and then crop your photos later for the best results, while still having good detail.
craig @ Feb 21st 2007 8:18PM
"It lets you be "lazy" with the photographs, and then crop your photos later for the best results, while still having good detail."
Photographers who can afford this equipment are unlikely to be "lazy". If you don't know why you want resolution like this then it's not for you and you most likely don't have the experience to use it effectively.
Anand @ Mar 10th 2007 3:41PM
Hitchcock wrote:
It lets you be "lazy" with the photographs...
Actually it allows designers some latitude when using the photograph while remaining true to the photographer's vision. We cannot always use the proportions given us and photographers don't always know the compositional elements of the end product. And the cost of decent retouching, even in this day of Photoshop can be prohibitive.
And it can allow a little "relaxation" into some shoots ;¬)
shmengie @ Feb 21st 2007 8:27PM
yawn...let me know when the 3.1 gigapixel camera comes out...
Collin @ Feb 21st 2007 8:43PM
31,648,512 Pixels
at 6496x4872 and at a 4:3 Ratio
is Massive.
Darnell @ Feb 21st 2007 10:19PM
Wow. Last time I read about this camera it was looking at 18MP and in the $12-16,000 range. This will easily go for more than $22,000. Camera's of this magnitude are usually for commercial applications--i.e. publications, in-store posters (where you're right next to the image as opposed to billboards that's farther away), any type of promotional material, architectural prints, etc.
Though cropping is a plus--but it's more important not to waste pixels if you don't need too. Besides the mirror is bigger than 35mm cameras (produces vibrations when handheld at slower shutterspeeds) and often times the camera is mounted on a tripod.
The real "big" deal here is that it looks to be a medium format DSLR--not a camera with a digital back like most traditional MF cameras.
pbg @ Feb 22nd 2007 9:41AM
good to see this, that 'medium format digital' is keeping moving, and wont be the exclusive realm of hasselblad etc (the high end imagers). Hope they price this a little low and it gets picked up by some studios!
Anonymous Coward @ Feb 22nd 2007 6:24PM
> 31,648,512 Pixels
> at 6496x4872 and at a 4:3 Ratio
> is Massive.
Tiny. Most of the Playboy Centerfols I have are in the range of 80 too 100 megepixels per pic.
john h @ Apr 28th 2007 4:20PM
What camera are they using that shoots 80-100 mega pixels? Even the hassies are at 39, and I doubt the the playboy photogs are using medium format anyways.
No, your playboy models are probably shot with a MarkII at 16 MP.
Nish Vamadevan @ Feb 22nd 2007 10:13PM
This is what I call an SLR
But its way too expensive and not ideal at the time being...
kombizz @ Feb 23rd 2007 9:06AM
How much is the price of this monster?
Matt Sandy @ Feb 23rd 2007 11:14AM
I was actually going to pick up the non digital version of this, but figured developing the large negatives would get too expensive.
Big Pixman @ Mar 9th 2007 1:56AM
OK so this Pentax 645 shares the same sensor as the Hasselblad H3D-31. But the big question is do the Pentax lenses measure up to those by Hasselblad? I don't think we're comparing an orange with another orange, are we?